If you would like people to remember you as this event photographer who they can reach out to when they have a need for one, dress well at all times. Most of these events will usually be main or official events for companies, special occasions and the like. You cannot afford to show up looking as if you just rolled out of bed. This is not the way to go for as far as thriving in the event photography niche is concerned. You should dress to impress, so to speak. Most of the guests who will be attending will most likely be dressing up for the event. You will stick out like a sore thumb if you don’t put any amount of effort into the clothes that you are wearing and into how you look overall. This can turn out to be a real issue at the end of the day. You need to make sure that you will be able to go ahead and do something about it. If the event has a certain dress code that the guests live by with, perhaps it would work best for you if you also go out of your way to observe the dress code the same way. This way, you get to look like how the guests might also look. It is the perfect disguise for you if you would like to fly below the radar a little bit.
Don’t waste people’s time too much.
Keep it at three clicks per scene and move on. People are there to see the event or to attend it. They are not there so that they can spend time with you as an event photographer. Don’t take up too much of people’s time. Three clicks per scene should be more than enough to give you the kind of coverage that your clients need when it all comes down to it. There will usually be tons and tons of people at an event. You can’t possibly get enough ground work done if you do not go out of your way to really get in there and move swiftly from one scene to another. Be methodical in what you are trying to do. When you delay too much, you will end up missing out on a lot of moments at the end of the day and this is never a good way to do business so try to remember this as much as possible.
Come in early for the event.
Another thing to take note of when you are getting into this event photographer is that you should come in early for the event. Be at the event venue a couple of hours before show time. This will allow you to get acclimated to the place or to get familiar with it in such a way wherein you will be able to weave in and out of the crowd while the event is in full swing because you know your way well around the place. More than that, it can also turn out to really provide you enough time to be alone with the wedding venue setup. Most of the wedding organizers have actually spent time and effort in setting the place up. The least you can do for them is get the prep work documented the right way.
Deliver fast turnaround times all the time as well. Impress your clients with how fast you work.
The word of mouth marketing is not something that you should be taking lightly. Always go out of your way to deliver the best service you possibly can.
Make it a point to switch lenses every once in a while as a Kent photographer.
People will eventually get tired with the aspect of seeing you as the wedding photographer who is always uncomfortably close and who is always shoving the camera at their faces all of the time. Weddings take long hours to go through with and over that span of time, it can be pretty understandable and perhaps even expected for people to feel a little tired and a little bored with the way things turn out. They may start off a little thrilled with seeing you getting their photos taken at the start but they might not feel the same way halfway through the event.
The trick there is to make sure that you get to gauge the temperature of how you are being received. Once you notice people starting to lose interest, make it a point to switch to the back of the room so that you can keep your distance from the people that you are photographing, even just for a little bit. You can always switch to a longer lens. This will allow you to still capture photos that look as if you are right next to the people that you are taking photos of even if you are actually yards and yards away from them. This is something that can come in handy especially when you are shooting wedding ceremonies. Some churches will not allow the wedding photographer to be right next to the couple when they are exchanging vows at the altar.
Get the names of the important people in the wedding party.
Find out who the members of the inner wedding circle are and make it a point to really get the bride to introduce you to them. This way, in case the bride and groom will not be available for you to reach out to once the wedding event is in full swing, you will know exactly which people you can approach and ask for advice for or perhaps even act as a liaison for you and for the couple that you are trying to reach or make contact with during the coverage of the event. When you get to know these people a little better, you will end up feeling less awkward when you need to approach them or when you need to ask them a favor in relation to what you are trying to do for the couple who hired you. They will be more than happy to help out and more than that, you will know for a fact that they will be able to go ahead and reach out to the couple with no problems whatsoever.
White dresses are prevalently white.
Like all other Kent wedding photographers should know and be well aware of the fact that wedding dresses are prevalently white. This can be a bit of an issue because the camera seems to think that something that is extremely white is a spot of brightness that needs to be subdued or adjusted when it all comes down to it. This is an issue that a little positive exposure compensation will be able to fix though so for as long as you know about that setting, you should be just fine.
Opt for a quiet shutter setting if you are shooting as a Liverpool photographer.
This is not probably something that you have taken the time to really notice and pay attention to in the past but if you would like to be efficient as a professional Liverpool photographer, then you need to pay attention to even the most minute of details that might turn out to have tremendous effects on the photo shoot that you are trying to bring together for your clients. Your camera actually makes some kind of sound whenever you click that shutter button. It notifies you or lets you know that you have gone ahead and captured the photo successfully. More often than not, there is a quieter humming inside the camera that lets you know that as well. You don’t really need the loud “click” sound whenever you are taking a picture. It can distract people and it can take them out of the moment especially when you are going for something that looks candid and natural. More than that, it could really give you away as a photographer and that is something that you should try to avoid from doing as much as possible especially if you are going for a documentary style in photography. Find out about setting your camera to this particular kind of setting ahead of time so that you will know how to do it once you are in the event or photo shoot.
Try to minimize the flash.
Don’t go for it unless you absolutely have to. You should be like this Liverpool photographer who knows how to sort of go by unnoticed in the background and you will only be able to do that if you don’t use flash photography all that much. Truth be told, for as long as you have adequate natural light going around, you absolutely have no need for flash photography at all. However, in the even that natural light simply will not suffice, if you do have to opt for flash photography, go for something that is being shot with an external flash bracket. When you have this external contraption attached to your camera, you at least end up with something that is less harsh than the kind of effect that the built in flash of the camera is giving out when you are taking pictures with the use of flash. You will get to have better control over aspects such as shadows, dimensionality, texture and the like and these are elements that can really alter the overall look and feel of the photos that you are trying to come up with at the end of the day.
Bring a tripod with you all of the time.
Even if you think you will be able to get away with holding the camera by hand all of the time, it will not always be the case. You are bound to get tired one way or the other. You are bound to use a long prime lens that might result to a few camera shakes that holding the camera by hand will further magnify. It is always better if you have a tripod along to keep things stable and steady all throughout the time that you are there.
More and more couples out there are actually going for wedding photography quirky ideas for them to more or less make their wedding a little bit more unique and original. Although weddings are mainly special events, the trends that come along with weddings are fairly common and this is something that modern couples try to go ahead and break away from when it all comes down to it. The trick here is for you to always try to break out of the proverbial mold when you are getting things done. You also need to constantly think outside of the box all of the time. You need to look into the different options that are readily available and try to see if there is anything that you can add on to that in the wedding photography projects that you are planning to lay out at some point or so. Clients are always looking out for something new or for something fresh for you to look into. When you have original quirky wedding photography tips, clients will seek you out. This is something that will really get to build your brand the entire time that you are there.
A great source of wedding photography quirky ideas for you to check out would have to be the photography blogs out there. There are tons and tons of creative professional photographers who are posting their personal projects online. It is all a matter of finding the right ideas and options to play around with at the end of the day. Be careful with something like this though because it can be very easy and tempting to just go out there and copy things as they are. Don’t be lazy with the wedding photography quirky ideas that you are working out. You need to go out of your way to really put some thought and some effort into it. Being creative is not something that just drops out of the sky. It is something that you need to seriously commit to if you want something like this to work. Being creative with your ideas is something that can really potentially build your brand. People will get to know you for your handiwork and for your specifications as a wedding photographer.
Depth of field
Play around with the concept of the shallow depth of field. This is something that clients have always appreciated and will most likely appreciate until now and in the future, even if they don’t really have a name for it. The shallow depth of field effect refers to that photography special effect or technique wherein you are focusing in on the subject at the center of the photo while the surrounding background is sort of blurred out into oblivion, or at least that’s how the romantic creatives portray it.
Black and white color scheme
Another wedding photography quirky idea that you should definitely have up your sleeve is the aspect of shooting your photos devoid of colors. A black and white color scheme brings out something romantic and intimate and this is what you should be checking out as much as possible.
Although wedding photography sounds like something charming and glamorous, the fact remains that it really is not an easy niche or industry to get into. Among all of the varying professional photography niches out there, wedding photography turns out to be the hardest and the most expensive – and that comes with a pretty good reason. It is no joke to cover a wedding. The amount of responsibilities and risks that come along with the aspect of being someone’s main wedding photographer edinburgh can be a bit overwhelming, especially if you are someone who is fairly new to the scene. You will also need to invest in professional grade photography equipment one way or the other. This is not something that you can just go ahead and shop for all in one day. The amount of money needed for this is tantamount to a small fortune and you will need another income source to help come up with the money that you need. Even if it’s not something related to wedding photography, that’s alright. For as long as you have something to help sustain you financially, you should be in a pretty good place.
You need to know all of the right people in the wedding industry in order for you to be able to really go ahead and spread your wings the right way. Networking is crucial to your success in the industry. Make sure that this is something that you are able to constantly and relentlessly work on no matter what happens. Go out of your way to reach out to the wedding vendors that you have worked side by side with during the weddings that you shot. In this day and age, for as long as you have someone’s name or business name, it shouldn’t be all that hard to look them up online or on social media. For as long as you are exerting the efforts for it, you should be able to reach them and really make the connections that matter the most. Be choosy with the connections you make. Not all of them have the potential of bringing you high quality recommendations and potential clients. You will eventually learn how to sift through the contacts. Right now, the best way for you to start swimming is to just go ahead and jump in.
Means to gain feedback
Establish a network of people that you are fairly close with and whose advise and words actually mean something to you. Make friends with people in the wedding photography industry as well as various other niches in the wedding trade. Get feedback from previous clients about what you would have done better, what you did wrong, and what you should continue on doing when it all comes down to it. Brace yourself for criticisms. Not all of them will turn out to be praises for you and for the kind of work that you do and that’s OK. Use this as a means for you calibrate your skills and techniques in wedding photography.
Baby photography in Oxfordshire is one of the niches that you should seriously go ahead and consider getting into.
It is one of the most commercially successful niches out there for as far as professional photography is concerned. You have to understand that when it all comes down to it, even if this is not the kind of niche that you are initially thinking about specializing in one way or the other, it is still something that you can do on the side. There will always be clients out there who are constantly looking out for photographers who are skilled enough to help document the babyhood days and this is what you should aim to to as well as much as you possibly can. This is a pretty good side income that you can work on. There is no so-called peak season for baby photography. This is a kind of gig that can go on and on all year and it can be a pretty sustainable supplemental income that you can have on the side while you are at it.
Work on the kind of lighting that you go ahead and include in baby photography in Oxfordshire.
Lighting is crucial to the success of the shot that you are aiming for as a baby photographer and this is something that you should seriously check out as much as you possibly can. You have to understand that the lighting is technically the main culprit for unappealing looking baby photos and this is what you need to really know like the back of your hand. Go for natural light as much as possible. Babies tend to become really sensitive when they get exposed to something harsh and startling like flash photography. You should try to avoid using flash photography as much as possible. Go for diffused natural light as much as you possible can. Have the natural light coming from outside stream in through a glass window and watch the magic unfold.
Go for a simple backdrop as much as you possibly can.
The backdrop is pretty interesting to check out and this is what you should be minimizing as much as you can. Although you can feel free to play around with props and colors and the like, you should keep the backdrop at a minimum. Go for plain and simple colors. The most ideal backdrops for a baby photography in Oxfordshire shoot are either black or white. These basic colors will make the baby the real center of the shoot, as he really should be at the end of the day.
Make the baby feel comfortable all the time.
A grumpy baby will not be a happy baby. A grumpy baby will turn out to be very difficult for you to photograph the right way. Go out of your way to make the baby feel comfortable as much as possible. Play some soothing background music. Adjust the temperature if you have to. Invest in a collection of plush toys that will help amuse him all throughout the shoot.
Make it a point to be the kind of portrait photographer that connects with the subject.
Exert the effort to really go above and beyond when it comes to being able to connect with the subject that you are working with whenever you are trying to go ahead and take portrait shots as a London portrait photographer London when it all comes down to it. Have a good sit down session with your client right before the photo shoot. Make it a point to know what the portrait shots are for so that you know exactly what you should go ahead and go for. Make it a point to know about what kind of vibe you should be targeting as well. This way, you know what you should be aiming for when it all comes down to it. If you know about any projection tips that you would like to go ahead and share out to your clients, the initial client discussion would also be the perfect venue for you to give this out to your clients and to more or less brief them about it. Whenever you have a new client to work with, make it a point to always talk to them ahead of time.
Treat them as if they are newbies and as if they have never really had their portraits taken before.
More often than not, unless you are working with models and with other actors who pose before the camera for a living, there is a pretty good chance that you will be dealing with absolute portrait virgins. This means that you need to go out of your way to make sure that you discuss things with them on a more graduated manner so that they do not get overwhelmed with all of the details that you are trying to have them learn about.
Pay attention to the lighting and environment as a portrait photographer.
You can take great looking portrait shots even if you don’t really have that much equipment to work with and even if you don’t have the most high end equipment or gear out there. For as long as you are skilled enough or are well versed enough with the lighting and with the environment that you are shooting in as a London portrait photographer, it should be more than enough to enable you to go ahead and produce great looking pictures somewhere in the process. Lighting is usually the culprit when it comes to the production of unflattering pictures. When you are taking portrait shots, never go for overhead light. It is the worst possible lighting that you could ever go for. As much as possible, go for natural light whenever you can and whenever it is readily available. However, if natural light is an option that is completely out of the window, you need to make sure that you get to manipulate the artificial light sources that you are going for when it all comes down to it.
Focus on the eyes above everything else as a portrait photographer London.
The eyes are a great grounding factor for you to go ahead and incorporate into your portrait shots. They will dictate the emotions of your portrait shots.
Have the bride look away from the camera lens while she is being photographed.
This is a kind of pose that evokes mystery and emotions as well. It is a good play on the aspect of being a bride. Any direction is alright for the bride to take a look into for as long as it is not a direction that is aimed straight right at the camera lens. When the bride is looking away, it makes her look distracted and it makes her seem as if she is deep in thought about something. It is a kind of thing that you will really be able to play up at the end of the day. Change up the angles and put in as much variety as you can get out of it. You need to have a lot of shots out of that kind of pose or position because it can look flattering on almost anyone. Side angles are also interesting to have when the bride is looking away from you and looking away from the camera at any given time. Go for this whenever you can because it can really help you bring something different to the table as a wedding photographer.
Play around with the element of shadows.
It is not always a bad thing and it is something that you will really be able to use as a wedding photographer. Shadows are usually being avoided like a plague but as a technically inclined wedding photographer, you should know that it is not always bad thing. As a matter of fact, if you would like to add a certain sense of dimensionality into the photos that you get to capture as a wedding photographer, you can rely on the shadows to help pull that off for you while you are at it. Shadows are great to have at a certain degree and for as long as they are not out of control and all over the place, you should be able to pull them off the right way with the right amount of focus and attention to what you are trying to achieve out of the entire endeavor. This is not something that you need to be intimidated with as a Hertfordshire wedding photographer. For as long as you know what you are doing and for as long as you have had a lot of practices somewhere along the way, it shouldn’t be all that hard for you to go ahead and achieve.
Have the bride spin around while she is wearing the wedding dress.
This is a kind of look that can turn out to be magical somewhere in the process, especially when there is a lacy and voluminous dress skirt involved. It is a great way to showcase the fun side of the bride as well as a great way to focus the attention on her wedding dress. It is like hitting two birds with one stone and it is something that can really come up with breathtaking photos.
As a wedding photographer, portrait taking is not something that you can really do away with. As a matter of fact, it might be even quite fair to say that roughly around 1/3 of the pictures that you are taking in Lancashire wedding photography will turn out to be portrait shots. Try to observe the different wedding photography albums available online or through your previous works. Most of these works focus on portrait shots and that is something that should remind you again and again to work on the portrait taking aspect of your career as a wedding photographer. Most of the portraits have very minimal elements to work with. What this means is that you need to make the most of whatever you have access to during that particular time that you are shooting the portrait shots in the scene right before you. Always digitally whiten the teeth of the subject. This is not something that a lot of people pay attention to but you can see that this is really something that can make the portrait shots come out looking different and special. It takes nothing more than a few editing brush strokes so pay attention and make the teeth come out looking great in the finished portrait shots.
This is another element in the portrait shots that you can definitely manipulate to your advantage as a wedding photographer. People aren’t perfect. Most of the skin tones out there might have some blemishes and color inconsistencies somewhere along the way and this is something that you should seriously prepare for at the end of the day. You can play around with the skin tone that you are aiming for. You can opt to whiten it a little bit or darken it a little bit. You can modify it any way that you would like to go ahead and do so for as long as you do not change things up too much to the point wherein it might eventually turn out to be quite uncharacteristic of the person who is the subject of your portrait shots in the first place. Another technique that you need to make the skin come out looking radiant and glowing as ever is exposure compensation. When the skin comes off looking a but bright, the camera will automatically try to dull it out and the results are unappealing. Dial in some positive exposure compensation to balance the photo off a bit and do make the skin look clearer and more vibrant.
Do you ever marvel at those breathtaking and almost impossible wedding pictures of, say, the bride looking like she is floating in mid air? Chances are, some editing action and special effects are in play and that is something that you will need to learn for a little bit every once in a while. Make sure that you get to brush up on your editing skills so that you will be able to incorporate the kind of effects that you would like to play around with at some point or so.
Networking is something that is quite crucial and much needed in your commercial growth as a wedding photographer. If you don’t know where to start, there are always baby steps that you can take. Most, if not all of the businesses and professionals out there managed to gain commercial success in their respective niches and industry because they worked relentlessly on a solid networking plan. Networking is something that may seem like a bit of a tiresome endeavor to check out in the beginning but for as long as you know all of the right points to target and to hit in the best of ways, you should be able to gain revenue from it through the connections that you get to make and through the meaningful relationships that you get to build with the other vendors that you meet in the wedding industry, other professional wedding photographers, or even with the previous clients that you might have worked with.
No perfect formula
There is no so-called perfect formula for networking. It is always something different for everyone else. You just need to work with what you have and try to see if you can make the most out of it at the end of the day.
Plan who you would like to network with as a wedding photographer.
Although you should try to go ahead and network with as many people as you possibly can, the thing is, your time is limited and precious. More often than not, you will be starting out all alone in your career as a wedding photographer and that kind of thing is never easy. You will realize that you almost never have enough time to allot to all of the tasks that you need to cover and to all of the other things that you would like to go ahead and do somewhere in the process. The moment that you enter a room and you see an entire crowd of prospective connections that will turn out to be useful for you as a wedding photographer one way or the other, go for the top three choices. Try to assess the room and check out the top three most valuable connections you could make. Wedding venue owners and managers are usually the most sought after. You will be able to tell which ones have more potential to bring you more recommendations than some and that is what you need to sift through when you are just starting out with your career.
Vendor love is one of the fastest ways for a Bedfordshire wedding photographer like you to start growing his connections. Make a habit out of constantly reaching out to the vendors that you get to work with in the weddings that you cover. Catalog their business info and reach out to them in any way that you can, either via phone, email, or in social media. When you don’t have any bookings, try to see if you can feature a vendor or two in your blog. This is something that they will really be able to appreciate and will be more than happy to reciprocate when the time is right.
Every London wedding photographer should invest in a great tripod system.
A tripod is one of the most basic and fundamental photography accessories that you will ever need to get your hands on as a London wedding photographer. This is something that you seriously need to pay attention to whenever you are trying to go ahead and kick start your career in the industry. Even if you feel as if there are a lot of times wherein you will be able to get away with just shooting your pictures with your camera being held by hand all of the time, the truth of the matter is that your pictures will always turn out to be so much better if you have a tripod set in place. More than that, when you have a tripod along with you, you can always be quite rest assured of the fact that when it all comes down to it, you have something to get you out of a bad place whenever you have a low light situation that you need to deal with when it all comes down to it. A tripod is also something interesting to have whenever you would like to be creative with the compositions that you want to come up with during the wedding photo shoot.
Do not allow the tripod to dictate the way that you compose your photos as a wedding photographer in London. One common mistake that wedding photographers make when they are using a tripod is that they confine themselves to the sideways tilting of the tripod that they are using. This should not be the case. Do not be afraid to change up the angles and to put in variety in your angles and in your shots whenever you have photos that you need to take during the weddings that you get to book as a professional wedding photographer. Make it a point to let the tripod work for you and not the other way around. When it all comes down to it, the tripod should be your tool and it should be something that you use to assist you. You should be the one in command of all of the angles that you are checking out during the shoot, not the tripod.
Make sure that you set your tripod up somewhere stable.
Nothing can ever come worse than setting stuff up on a tripod and stepping back a bit to assess the scene and the situation and see it toppling down on the floor in a split second of horror. After that, in a moment’s notice, everything ends up falling down on the floor and you only realized this a second too late. Make sure that you get to check out a flat surface that is steady enough to support the weight of the tripod along with the camera and lens at all times. This is something that you need to be alert for especially if you are shooting in an outdoor kind of setting.
Get a wedding photographer contract set up no matter what happens.
A contract is something that will get to protect you and your business in the event that some things happen unexpectedly somewhere along the way. You need to make sure that you get to formalize everything as you go along. The moment that you go ahead and miss out on stuff is the moment that the rest of your career starts hanging by a thread. You need to remind yourself time and time again that it will only take just one client to go to court and sue you for whatever reason they might see fit to close you down entirely. You should make sure that no matter what happens, whatever challenges you might come across with as a cornwall wedding photographer, you will always get to live to fight another day.
A contract will get to afford you that and so much more when it all comes down to it.
Even during the times wherein you think that you can get away with not having a contract set up, the thing is, why would you put yourself to that particular kind of risk in the first place? Just don’t take the chance the entire time that you are there. You are a professional who is in the industry of providing clients with your professional services in exchange for a fee. A contract should really be required and should really be a part of your standard operating procedures when it all comes down to it.
Make sure that you consult a professional lawyer for your wedding photographer contract.
Although there are a lot of templates out there in the internet that will more or less give you a bit of an idea about how a wedding photography contract is supposed to go and although you might think that you are a fairly substantial writer in your own right, the thing is, contract law is something that exists on an entirely different plane of thinking. It involves jargon and exclusivity clauses and a bunch of other things that you might have a bit of a hard time wrapping your head against at the end of the day. This is one thing that you should not attempt to DIY especially if you are quite anxious in ensuring that the coverage and protection that you get to have through the contract is enough to help wave off the tough times up ahead. This is not the time for you to be stingy with money. Contact a lawyer, one who specializes in contract law today and make sure that you get to run this by him. The lawyer will proofread your draft and make sure that it is more or less in line with the law requirements in your particular area. He will also make sure that the contract is free from loopholes and that you can really hold the clients to it if push comes to shove.
Get a contract out even if you are dealing with relatives, friends, or even for pro bono work.
One camera simply won’t suffice if you are covering a wedding as its official wedding photographer. You need another camera somewhere in the background to stand in as your backup in case something happens to your first one somewhere along the way. Equipment failure is a part of life and a part of what you do as a wedding photographer. There is always a possibility that your first and primary camera might give out on you while you are shooting the wedding. You need to make sure that you will be able to keep on shooting and the second camera is something that will get to afford you that. You need to make sure that you always bring one along. If you show up at a wedding coverage and you don’t have a second camera with you, that is something irresponsible and you will be neglecting the risks that come along with your job as the wedding’s wedding photographer. It is a prerequisite that comes along with the territory and something that you should always go ahead and try to aim for when it all comes down to it.
It does not have to be as high end as your primary camera.
Professional photography equipment can come in with a premium. This can really be a bit of a challenge especially for a wedding photographer who is just starting out and who is just starting to get the feel of the things and tools that he might possibly need in his career. Although you do need a second camera somewhere along the way, it does not necessarily have to be as expensive as your primary camera. For as long as it is something that can produce great quality pictures in the process, it should be more than enough for you to have and to deal with. Full framed DSLRs are the most preferred and also the most expensive. However, you don’t have to go for that every single time. You can always opt for the cheaper crop framed ones in the meantime for your second camera. It will take photos just fine albeit without all of the fancy add ons that the full framed ones have to offer out to you as a wedding photographer.
You can always borrow or rent.
You don’t have to buy stuff, especially a second camera, if you don’t have enough money for it. There are always other ways for you to get your hands on a second camera without spending too much money for it as a wedding photographer. Talk to your friends and try to see if you can get anyone to let you borrow a second camera whenever you have a wedding booked or a wedding that you need to cover. This is a great solution for the meantime. It tends to pay off a lot when you have something that you can more or less depend on as a wedding photographer Cardiff for your second camera needs.
Always document all of the things that are being talked about and have both parties sign.
Get it notarized to ensure that the documents are all legal and binding. When you have something down on paper, you can be rest assured that you have something to hold up to people when push comes to shove. Although it is not really all that healthy to think bad about people in general, you need to keep in mind that in wedding photography, you are trying to run a business. In business, you don’t simply leave everything up to good faith, hoping that people are trustworthy and hoping that they will be able to pull through on what they promised you. This is not the right way to do business. Even if you are dealing with close friends and relatives, constantly make a habit out of always leaving a paper trail behind one way or the other just to ensure that you are safe and that everything that you are doing is well established and well documented. Abusive clients will be having a very hard time in refuting you and your claims when you have everything down on paper with their signature to boot. This is the best layer of protection that you can ever lay out for your wedding photography dealings so make it a point to always document your transactions as you go along.
Be very specific about the overall costs.
Make sure that there is no room left for discussion or misunderstanding. When they ask you for the total price, make sure that you have already prepared the total costs well ahead of time. This way, you don’t end up misquoting them. Abusive clients will take this as a sign that you are not really all that confident about your pricing quote in wedding photography just yet. They will try to haggle you and bully you into persuasion so that you end up lowering your prices for your services. This is not a healthy business practice and you should not succumb to it as much as possible. If you will be able to help it, always come off with a strong quote every single time. There should be no room left for doubt. Be confident and back your pricing up in the best way that you know how. Bring in a pitch as well. You are basically selling your services in wedding photographer and that is a very precious and special commodity when you come to think about it.
In the event of add on services, get official and documented sign offs every single time.
There have been lots and lots of scenarios in wedding photography wherein the wedding photographer was asked by the clients to stay behind because of extended celebrations and he didn’t get paid for it. Bring an extension contract along with you just in case. You will never really know for sure when you are going to need one at the end of the day.